NEW YORK MIINING DISASTER
ie, and black s are perfect for attending funerals. Every time someone dies, I call and too big for me.
“Sorry to bot time I called. “Another funeral’s come up.
“ be in a you come over right away?”
and tie on table, neatly pressed, ted beer. t’s the kind of guy he is.
“t at the zoo,” he said, opening a beer.
“A cat?”
“Yea asleep in a cage said ‘Cat.’ “
“ kind of cat?”
“Just an ordinary one. Broripes, s tail. And unbelievably fat. It just plopped dos side and lay there.”
“Maybe cats aren’t so common in hokkaido.”
“You’re kidding, rigonis be cats in be t unusual.”
“ell, look at it anot ts in a zoo?” I said.
“too, right?”
“Cats and dogs are your run-of-type animals. Nobody’s going to pay money to see t look around you-th people.”
t and tie and so a large paper bag.
“Sorry to keep doing to you,” I said. “I kno some around to it. I feel like if I buy funeral clot’s O.K. if somebody dies.”
“It’s no problem,” using t’s better to o , right?”
It rue t in t made .
“It’s since I got t nor a single person I know has died,” he explained.
“t’s t goes.”
“Yes, t’s t goes,” he said.
For me, on t er anot. I y-eig ty-seven, ty-eigy-nine. Not t age to die.
A poet dies at ty-one, a revolutionary or a rock star at ty-four. But after t you assume t everyto be all rig past Dead Man’s Curve and you’re out of tunnel, cruising straigination doo