to realise unate matc  pungency of life -- must (or s mirt uncomfortable, just as t , must affect you in tation of a dear female friend attacked in your real presence. Crabtree, and Sir Benjamin -- t live but in t be ripened by t-bed process of realization into asps or ampful! become a . O remembers Parsons and Dodd -- tterfly of t gentleinguister part -- rue scenic delig of t Reflection -- turnalia of to sit instead at one of our modern plays -- to  forsoot not be left for a moment) stimulated ual appeals -- dulled rated, as a faculty  repose must be -- and y pampered ional justice, notional beneficence, lives saved  tators risk, and fortunes given a cost thing?

    No piece  in all its parts as to Mrs. Abingdon in Lady teazle; and Smitired, . t of ters,  exceptions, remained. I remember it o cry do of Cer Smit, I t, very unjustly. Smitook tain gaiety of person.  ions of tragedy.  to expiate t of y declamation.  or of Rico atone for. s  to success in one of so opposite a tendency. But, as far as I could judge, ty sense of Kemble made up for more personal incapacity to ansones in t came steeped and dulcified in good s a grace.  declamatory manner, as , only served to convey ts of  seemed to s to carry t one of ences . I remember minutely  by any effort imagine ered for tter. No man could deliver brilliant dialogue -- tood it -- ine, in Love for Love, o my recollection, faultless. imes in tervals of tragic passion. s of an er. o nod. But o me to be particularly alive to poi