Palmer in ter counteracted every disagreeable impression , supposing t believe in Josepter  reality, t poetical foil to it. ture of Congreve imental incompatibilities: ty upon t; but it required te art of Palmer to reconcile t elements.

    A player alents, if o do t in tinctively avoid every turn end to unrealise, and so to make ter fascinating.  take ators, o eacrasted in ts, . Pauls Cion as venerable as t cat coeval) of t tly appreruly tom y of a toasting fork is not to be despised, -- so finely contrast  kissing of taking it in like ter, -- ter submits to tle bleeder, time,  fles covet to meet roke of suce moor in te part. o you all t er and  intimation of a sentiment before it  to you, and you o suppose t itious co-flutterers on tage perceived not all of it.   to you if t y, try -- or teazles reputation)  unes of Ot concerned in it. Poor Jack  from tage in good time, t  live to t old teazle King, too, is gone in good time.  current in our day. e must love or e -- acquit or condemn -- ensure or pity -- exert our detestable coxcombry of moral judgment upon every to go do be a do sies, y greetings, kno no ic  to come of t inspire a cold and killing aversion. Cing person of ts ulterior legitimate ends, but  centre in doion) must be loved, and Joseped. to balance one disagreeable reality er teazle must be no longer tful old baceasings () ly as muc you, as t to concern any body on tage, --  be a real person, capable in laaining an injury -- a person too be acknoagonist of