n to a public sc knoin and don’t even  to. ells me sometimes t it’s a pity I’m ‘insensible to beauty’,  I’ve got no education. All table in t kind of o alk at all  drinks ed by  does you good to get out of it sometimes into a bacmospmosptering except books and poetry and Greek statues, and notioning imes t’s a comfort too.

    o t  dim  black. It’s a smallis for t up to telpiece t. A roobacco jar eous’s college on it, and a little eartold me ain in Sicily. Over telpiece tos of Greek statues. tepping out to catceous ime I sa, not knoter, I asked  stick a .

    Porteous started refilling elpiece.

    ‘t intolerable airs ,’ o live t of my life out of to knoion?’

    I told olerable’, and it tickles me, in 1938, to find someone objecting to eous rolling up and dos and  instantly alking about some la musical instruments t ime of Pericles. It’s al eous. All alk is about t uries ago. ever you start off  alo statues and poetry and tion tart telling you about Priremes. o kno any ne times, and takes a pride in telling you t o tures. Except for a fes like Keats and ords of vie t oug to have happened.

    I’m part of t I like to alk. roll round t first one book and ttle puffs of smoke, generally o translate it from tin or somet’s all kind of peaceful, kind of mellotle like a scer, and yet it sooten you aren’t in trains and gas bills and insurance companies. It’s all temples and olive trees, and peacocks and eleps, and cs and tridents, and s, and generals in brass armour ga