r, s, ations,  illuminating t.

    Not t tter  began  “Miss Lea”; ter to cers, tences.

    t I read:

    I once did an intervie look it out one of trange c me. A boy, really. As tall as a man, but  of yout. t  for a muc, t  buy for a boy leaving sc job, imagining t o it. But boys do not leave their school uniform.

    tensity. t I set eyes on , “A’s er?”

    I’ve not people  from t t t so long as t start on about storytelling and y, turally t annoys me. But provided t  them.

    My gripe is not rut rut succor, ion is truto a story?  good is trut midnigning strikes saps at ts long fingernails? No. atue of you in your bed, don’t expect ruto come running to your aid.  you need are ts of a story. ty of a lie.

    Some ers don’t like intervie cross about it. “Same old questions, ” t do t? Reporters are ers are t because tions, it doesn’t mean ? I mean, making t’s ervieo be locked a of sigo t so frail a t it coy fingers of the newspapermen.

    In to try to catc. ttle piece of trut, dra out at an opportune moment and o startle me into revealing more. I o be careful. Incion I ed to take, use my bait to draly, imperceptibly, totier story te operation. tart to stle crutil it dropped from t never failed. A good story is alruth.

    Afterer intervie of rite of passage for journalists. t to expect, o leave  tory. A quick run tions ( your inspiration? Are your cers based on real people? er is you?) and ter my anster t. (Inside my  ting for, tant look stole acros