II In Near Ruins
urning and s for anot of lig emerges out of till an arro, and toucting of . to understand. to of irony, just a contract anding, so o t into t.
Finding . ered tly passed t seventeentury murals along ts in a gold suit. t past guards o be revealed as an innocent. ripped completely and left hes in a flower bed.
airs to to laug some privacy, so at ation, alfresco, it? Or seduction a cappella~?
One long air and one at ty yards aoo many yards arical , c suspicion and scornfully by tries, t a section of mural to peer at a painted donkey in a grove. falling asleep, tumbles and immediately pulls ogeto a military gait.
ray left o te from a tz ed saints on tuesday during to save on tiles looking for a pograph of himself.
s as if looking for ends to use it as a key to let o t is being guarded. Laugaggers back, peeved at o t room humming.
eps out onto tiful nig and so ter t. Printless foot. Sory old someone’s c this image of himself on a piece of film.
In tely a. o c in order to feel anytouc even a grain of light.
s to and souc of marble. one ands ts sling. taneously as urns is seen by t.
Caravaggio cs across from o rying to read rying to figure t to do. c, searcrace. and looks back at less, clear as any river, unimpeac lost in to tcilting ion as a dog one or pitc is not s across from of t like, and in look, slim, tanned olive from all t in try, she reminds him of his wife.
Nourn around and evoke every