o care for any poet later to C Europe s, until bot began to break into fragments a little before So fall apart   give it greater meditation, tion or so minstrels o sing ed troilus and Cressida; painting parted from religion in ter Renaissance t it migudy effects of tangibility undisturbed;  migerise,  ined subject matter ly I o number cer itself among tractions, encouraged by Congreves saying t passions are too poo let er, s course. Nor ter under t, for pure reason oriously made but ligical reason, and  ligs turn, from t morning  ter in  of it; nor needed I original t to discover, being so late of t mac separated from  ice t tinction of classes ion. If ts of our day competed togeting lyrics t, like tudor mercs, dance in treet before tor; nor do t ladies of London finis before t Venetian ladies even in teentury, conscious of an all enfolding sympatless because fragments broke into even smaller fragments  of bitter comedy, and in ts, ion ed generation, and accomplisy c  engaged our affections. One t foresee, not ??the world.

    turning and turning in t ; tre cannot ide is loosed, and everyion, e intensity.