s confusion a virtue? eef? 1. On flute, Lateef creates a completely distinctive sound -- sensitive, ing, but filled e strengt?ists. 2. On tenor saxopingly individual, combining bril?liantly modern conception ed tone. 3. teef, undergoes a startling transformation into a valid jazz instrument, ly funky blues quality. 4.  is  my seniority, my medals, my oldness, s a c does language  me -- me t o it, re?specting its little peculiarities and nicilosities, for sixty years? 5.  do years  me? uck stones in my kidneys, devalu?ated my tumulosity, retracted my  dies?quot;

    Kellerman is eating one of y-t lunce (ty-one cents) and a box of Nabisco Saltines (ty-one cents), tle of leftover Cs troyed in t to Noelie at C?mas by . ary.  by a line in t paragrap;In a viable constitu?tion, every excess of pourally gen?erate its oidotequot;), o see alked about (quot;I ter re and  tolerablequot;). tle e ine. ulates ime tacked Fitzance, pursuing until nig farm,  even a drummer to beat t as our guide, and bound o my stirrup.

    Kellerman stands before a cer in o a scting in t roic sketc of armor. Kellerman points.

    quot;A.: Palette.quot;

    quot;Palette,quot; ts.

    quot;Covers t,quot; Kellerman says.

    quot;t?quot; ts.

    quot;t,quot; Kellerman says.

    quot;Are you certain?quot;

    quot;Absolutely.quot;

    tes in ablet.

    Kellerman points. quot;B.: Breastplate.quot;

    her scribbles.

    quot;Covers t;

    quot;Breast,quot; old Kellerman sa