tS

    1  t of animal roles, introspective and moody as only a costive bird straining over its egg mig of emotion in ty and devotion to  at ernity; break at loss of egg; fear and trembling at ty of gruesome possibilities e intercouplings of possible texts y of Pantoland, one story effortlessly segues into anotory, so t Motalk, involving an egg-ing a goose-tinge t t al t represent ted and parodic femininity of idoy is real. Sness trality of terpreter icated teca, tors of tre,  in tion at a .

    Because of ttention, than. . .

    2  Dick tingtons Cat: Dick tingtons cat is toland, limber, agile, and going on ten to stress atus as intermediary bety of all dark messengers bet modes of being, nevert valet to er and  Dicks bidding. arring role t-catcivities are central to tion and it is a difficult to imagine Dick   as Morecambe  ise.

    Note t t is male almost to a fault, unquestionably a tom-cat, and personated by a man; some t, even in Pantoland. A tom-cat is maleness personified, whereas. . .

    3  Daisy t takes t  . tomime quadruped are traditionally a task, but t end gets to indulge in all manner of antics, flirting, flattering, fluttering times, if tion beteats dip and s salacious manner, bringing back ion of a basic crudely reproductive female sexuality of ate often do not like to be reminded. (tation, generation all time in mind in Pantoland.)

    to mimic it, as Ive said; therefore you could call Daisy a Dame, squared.

    toland, alting Dame ur