. “trons find tiful, ensive gold leaf and lavisures of labor and eyesigration’s beauty is significant because it is proof t a miniaturist’s talent is rare and expensive just like ture’s creation. Oture of a iful because it resembles a  of verisimilitude is attributed to talent. As for us, beauty in illustration begins lety and profusion of meaning. Of course, to discover t t merely itself, but t devil, t ture. t t it’s not t tself t’s beautiful; t is, seeing tration of t as an illustration, but as a true horse.”

    “If you looked at tration as if you  a  here?”

    “Looking at t t a pony but, judging from ts neck, a good race tness of its back  suitable for long trips. From its delicate legs   its body is too long and large to be one. ts legs suggests   to ’d easily jump it  being startled and spooked. I knoten about t ranslated so beautifully by our royal veterinarian Fuyuzi, and I can tell you t every o tnut ty face and ts ears sraigance beteet eyebro sall, long- , small nose, small s back; it sed, y inner t s and ers, it s ing ther side.”

    “t’s our cnut ly,” I said, looking at tonis.

    “e’ve discovered our er Osman  unfortunately t do us any good o tity of turist, because I kno no miniaturist in  mind  a urists, naturally,  me remind you t most of tline of tip of one of its hooves.”

    “Isn’t ted standing firmly on tically.

    “As Jemalettin of Kazvin e in ration of e a picture of a s ire o render a

    and recollection, or even more ridiculous