BARRENNESS OF THE IMAGINATIVE FACULTY IN THE PRODU
ars so look for. It is obvious to at a lo in a picture, t for respects of draering itude as one, or peruation of Adam. Singly on s t ted miracle. t is seized by tuitive artist, per self-conscious of , in ions moment ract -- ime to spring up, or to battle for indecorous mastery. -- e ly admired neoteric, in ing a fiction, one of t severely beautiful in antiquity -- to do Mr. ----- justice, ed laudable orcting seclusion, and a veritable dragon (of ion), looking over into t out back none but a quot;still-climbing ; could o catc ternary of Recluses. No conventual porter could keep ter tos ;lidless eyequot; only sees t none do intrude into t Privacy, but, as clear as daylig none but Diabolus by any manner of means can. So far all is ude ra t ists courage seems to o pity ty co comfort tude tendants, maids of o tiquette at a court of teentury; giving to te cre, if excuse tlemen. tteauis ary mystery-the
Daughree,
t sing around tree ?
t treated t.
tings or ratupendous arcectural designs, of a modern artist, ions to tto. ter, o stagger it. oructures are of t order of terial sublime. ranscripts of some elder y artist, tisfy our most stretcions of tique is a pity t t side, tion of tist s, and appears defective. Let us examine t of tory in t;Bels.quot; e roduce it by an apposite anecdote.
t orians of t at t dinner given by te King (t) at teristic frolic s and admiring; t profuse and admirable; ts lustrous and oriental; tly dazzled e, among -cellar,