SYDNEYS Sonnets -- I speak of t of t of t. ty, tity, and  modest spirit of self-approval, of Milton, in ions of a similar structure. trut Milton, censuring t o er-tune or application), quot;vain and amatoriousquot; enoug to be true of t;full of .quot; tier, it must be allo of t Milton ier  Ludlole, and still more a Courtier ruggle o begin,  ties beime ion, t ed t in t emergency,  for plainness or boldness of spirit. ter on tcestify, o Princes. times did not call o the scaffold.

    ts  call to mind of Milton ions of urest years. t to produce, ten in tuck full of amorous fancies -- far-fetcs, befitting ion; for true Love to send out ts upon t, and more to bring landiso sacrifice in self-depreciating similitudes, as srue amiabilities in t be Lovers -- or at least toucime, t not ies, as to take aion t e ties, and graceful  (ted tural) are least natural for to express its fancies by. tibullus, or tress; for passions t creep and on never loved at te. I am afraid some of  t came not muc of a religious indecorum, wrophise a singing-girl: --

    Angelus unicuique suus (sic credite gentes)

    Obtigit aetheriis ales ab ordinibus.

    Quid mirum, Leonora, tibi si gloria major,

    Nam tua praesentem vox sonat ipsa Deum?

    Aut Deus, aut vacui certe mens tertia coeli,

    Per tua secreto guttura serpit agens;

    Serpit agens, facilisque docet mortalia corda

    Sensim immortal assuescere posse sono.

    QUOD SI CUNCtA QUIDEM DEUS ESt, PER CUNCtAQUE FU