A PLAY is said to ed in proportion to t, is not tion. t approaco it, old, is, ors. In tragedy -- in all  ttention to age business, seems indispensable. Yet it is, in fact, dispensed  tragedians; and  or sentiment, are not too frequent or palpable, a sufficient quantity of illusion for tic interest may be said to be produced in spite of t, tragedy apart, it may be inquired tle extravagant, or  to t is not a proof of t skill in t absolutely appealing to an audience, acit understanding o ty in tmost nicety is required in t  artists in the profession.

    t mortifying infirmity in ure, to feel in ourselves, or to contemplate in anoto see a coo tage  mirt  of us remember Jack Bannisters co? e loved ted but by te art of tor in a perpetual sub-insinuation to us, tators, even in tremity of t, t  ook oms of teettering; and could ;t man   all t it almost a secret to ourselves -- t

    out by a tures -- meant at us, and not at all supposed to be visible to  ed ure of a co ratist contrived to palm upon us instead of an original;  ter pleasure, terfeiting of ty, ter self-desertion, s of cowardice in real life, could have given us?

    eful in tage, but because tor, by a sort of sub-reference, rat appeal to us, disarms ter of a great deal of its odiousness, by seeming to engage our compassion for tenure by le vent efulness of ter -- t coils itself up from tes. tic; i.e. is no genuine miser. ing likeness is substituted for a very disagreeable reality.

    Spleen, irritabilit