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ON SOME OF THE OLD ACTORS
remember possessed even a portion of t fine madness  about glory, or transports of tian incendiary at ty.  times ting effect of trumpet.  iff,  no ation; and tleman  in every movement.  of passion est trutriking before time; never anticipating or leading you to anticipate. otally destitute of trick and artifice. age to do ts message simply, and  y as t timent do its o prop or bolstering. o mountebank it; and betrayed none of t cleverness o ator from ion could divine more of ifice to do.  you in possession of tery. timations to make t so mucer t of tands like a great  up for mine Ancient, and a quantity of barren spectators, to s ts at. t go to riump tone about ter, natural to a general consciousness of po none of t petty vanity ain itself upon any little successful stroke of its knavery -- as is common ioners in misc did not clap or cros time. It  a man setting s at a c otily pleased at being let into t; but a consummate villain entrapping a noble nature into toils, against ive. t of Malvolio, in t, y, of  castings of t cer) tradition must be  from tage. No manager in t to Mr. Baddeley, or Mr. Parsons: re, Jo it no derogation to succeed to t. Malvolio is not essentially ludicrous.  by accident. ere, repelling; but dignified, consistent, and, for retcy. Maria describes  of Puritan; and  , or a lady Fairfax. But y and o ties of test. Still y, (call it ive to t mock or affected,  objects to excite laugy is at t unlovely, but neitemptible. y, a little above ation, but probably n
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